![]() 66r, 67v, 72v, and numerous marginal scenes. 50r, 80r, perhaps 49r, 54v-57r, and contributed to fols. 20v and 42v, and is responsible for miniatures on fols. The work of Pierart dou Tielt was first identified in our manuscript by François Avril Stones suggests that he may have collaborated with the first artist on fols. ![]() 3r-25v the 'Maître d'Éracle' and has identified his work in five other manuscripts including a pontifical made for Gui de Boulogne, bishop of Tournai (1301-24) and Cambrai (1324-36). Alison Stones has dubbed the artist of fols.Stones, 'Les manuscrits du Roman d'Alexandre en vers français et leurs contextes artistiques', in Alexandre le Grand à la lumière des manuscrits et des premiers imprimés en Europe (XIIe-XVIe siècle), ed. 'The book seems to have reached the library, probably from sir Thomas Bodley, in 1603, 1604, or the first half of 1605' (Summary Catalogue)Īt least four artists collaborated on the decoration see A. Possibly Giles Strangways (1486-1546), and/or his grandson Giles Strangways (1528-1562), both of Melbury Sampford, Dorset. 1467-1536, on whom see History of Parliament. 299n, surveys possible identifications including Jasper Fyloll of London, Essex and Dorset, c. i verso, sixteenth century: Consuelo Dutschke, ‘The Truth in the Book: The Marco Polo Texts in Royal 19.D.i and Bodley 264’, Scriptorium, 52.2 (1998), p. ‘ Jasper Fyloll ys owner off thys boke’, fol. ![]() 208r, next to ‘Laus tibi sit Christe quoniam liber explicit iste | Nomen scriptoris est Thomas plenus amoris | Qui ultra querit’ ‘ Thomas Smythe’, sixteenth(?) century, unidentified with monogram (?or notarial mark), fol. Khalaf, 'An unedited fragmentary poem by Anthony Woodville', Notes and Queries n.s. 1483: incomplete poem apparently written by him, fol. Khalaf suggests with plausibility that the book may have been a new year's gift.Īnthony Woodville, second earl Rivers, d. 274r, recording that he acquired ('acetast') the book on the first day of the year 1466 and the fifth year of King Edward (i.e. de la Mare, 'Duke Humfrey's English Palladius', BLR 12 (1985), 39-51 at 48 n. Kathleen Scott's association of the manuscript with Humfrey duke of Gloucester ( Later Gothic MSS., cat. ![]() Part A modified and combined with parts Bi, Bii in England (perhaps London) in the early 15th century. ![]()
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